Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Sunday, 14 August 2011

Will Self, Dr Mukti and other tales of woe


I love seeing Will Self on television. He has an excoriating, acidic wit and delivers lacerating commentary on current affairs with searing insight and refreshing dollops of cynicism. He is also frighteningly intelligent, uses plenty of big words and does not dumb down in a false pretence to be just 'one of the lads'.

This book is a collection of stories. The longest story, Dr Mukti, is a 130 page novella. The remaining stories are shorter. As you might expect, the tales are dark and brutal; unpleasant characters inhabit inhospitable urban landscapes and do nasty things to each other.

What I liked about the stories:

Set in London, it was interesting to read descriptions of places I knew, if only vaguely. Will Self is not afraid of adjectives and he paints very vivid pictures of the grime and grimness of London streets and tower blocks. Neither is he afraid of metaphors. Nor of big words with obscure meanings. His characters are, in the main, well drawn and believable.

Dr Mukti, the main protagonist in the eponymous novella - 'Dr Mukti' - was convincingly portrayed.

161 is set in a tower block and is based on an unusual circumstance. The first part was neatly told, with a menacing, claustrophobic atmosphere.

The Five-swing Walk was nicely evocative of those aimless afternoons spent trying to entertain very young children.

Conversations with Ord was inventive and had some great descriptions of London parks and banks of The Thames.

The best story, for me, was the final one in the book; Return to the Planet of the Humans. This was an extraordinarily convincing portrayal of a sentient ape, trapped in a human body and attempting to cope with human society.

What I didn't like about the stories:

Metaphors are useful when they illuminate and illustrate.

The problem with these stories is that the metaphors swill around within their clauses and subclauses, sloshing about aimlessly and dampening the writing with scummy remains of verbosity, as if just emptied from a bucket of filthy water containing the sloppings from a half-hearted attempt by a man with a ash-tipped cigarette hanging out of one side of his toothless mouth to clean eons of scrofulous scum from the inner recesses of a tile-lined, decaying, Victorian public convenience. (Do you get my point here?)

Dr Mukti could have been - and should have been - condensed into a much shorter tale.

161 contained a vital flaw in the mechanics of the story. Basically, without giving too much away, we are asked to believe that a blind man can see a gang approaching his tower block.

The Five-swing Walk was a fine story - until the end. I thought it nicely described the ennui of parenthood, contrasting with the simple pleasures of childhood. I thought the story was saying something profound about parenthood and families. But the ending degenerated into an unnecessary horror scene. This did nothing to enhance the narrative and seemed a cheap way of ending the story.

Conversations with Ord was lazily executed and the worst story in the collection, in my opinion. If you are going to spend the opening three paragraphs of a short story describing somebody's half-decorated flat, that description should have some significance to the rest of the story. The actual conversations with the fictitious Ord were amusing, but did not appear to drive the story forward and were distracting. I concede that I may have missed the point and others may enjoy this story far more. The ending was great - pity it didn't seem to fit with the rest of the story.

Return to the Planet of the Humans was a great story; a pearl in the mud.

I found this book hard reading. I like the occasional difficult or unusual word. But using an obscure word should be done for a reason - because it is the right word for the prose, chosen for its nuances and connotations. Too often, I felt words were chosen to show us how clever Will Self is and what a wonderful vocabulary he has - in other words, to impress rather than to enlighten.

And finally, in what appears to be a litany of criticism, I must say I found the unrelenting cynicism and downright unpleasantness of the scenarios somewhat wearying. Yes, there are grotty, litter-strewn, concrete-clad, soul-destroying areas in London. But there are also beautiful, evocative, moving, life-enhancing vistas too. Some variation in mood and tone might have created a more enjoyable reading experience.







Tuesday, 15 March 2011

Minority Report, by Philip K Dick (collection of short stories)

Minority Report (Read a Great Movie)This edition is a collection of stories by the fabulous Philip K Dick.

It includes the renowned Minority Report, made famous by the film adaptation, and some other great stories, mostly, in my opinion, even better than Minority Report.


  1. Now, lets deal with the title story - Minority Report.
    The film is better! Yes, I hate to admit it, but it is true. There are some great concepts in the film: the retinal scanning (that delivers both personalised adverts and controls access to the Precog facility) and the eye transplants (yuck, do you remember that scene?). Remember the fantastic sequence in which Anderton kidnaps the precog responsible for the minority report; and one of the key elements of the plot - the misleading recording of images and the eventual realisation you can't cheat destiny? This is all missing from the short story. Even the main character, Anderton, appears two dimensional in comparison to the character in the film, played so compellingly by Tom Cruise.

    Don't let me put you off. There are some GREAT stories in this book.

  2. Imposter: Man replaced by alien robot. Yes, we might be able guess how this story works out, but the ironic twist at the end is good. I believe this story was turned into a not-so-good film, Imposter, in 2002.

  3. Second Variety: The use of mechanical predators in war is no longer a futuristic concept. Again, you can probably see the end coming, but this story introduces some really scary concepts and the setting seems utterly realistic. I was there.

  4. War Game: Ah ha - the power of insidious messages, the use of subtle methods of propagating propaganda and the indoctrination of children. Loved the story. Didn't know how it was going to end...

  5. What the Dead Men Say: Would it be useful to prolong the dying thoughts of people's brains, so you could extend their period of influence and keep a connection with them for years after their bodies died? Maybe. I loved the central concept in this story, although the story itself degenerated into a tale of evil madness, that all-too-familiar cop out - somewhat disappointingly. There is a neat subplot about the control of air waves to promote politicians and win elections (hello, Mr Murdoch?). By the way, the concept of "half life" was used in a recent episode of Dr Who. Yes, it definitely was - although probably not intentionally.

  6. Oh to Be a Blobel!: Funny story; and with a serious subtext, all about appearances, racism and alienation.

  7. The Electric Ant: short, inventive and classic sci-fi. What about robots who believe they are human? Ah, yes, someone made a film about that - wasn't it Spielberg in a flim called AI? (Although AI was actually based on Brian Aldiss's short story Super-Toys Last All Summer Long.) This concept was devleloped further in Philip K Dick's story Do Androids Dream of Electric Sheep (not included in this anthology), that became the great Blade Runner film. How about challenging our concept of reality; is life all a virtual reality construct? Hmm, what film used this concept - ah, of course, The Matrix.

  8. Faith of Our Fathers: more Stephen King horror tale, than sci-fi. Good and scary. Maybe the weakest of the bunch, in my opinion.

  9. We Can Remember it for You Wholesale: The story from which the film Total Recall was based. Nice twists and turns.

In writing this review, I came to realise how much modern sci-fi flims and programme makers have borrowed from Philip K Dick. What a fantastically inventive writer he was. How modern his themes still are. What a shame he died prematurely, in 1982, and failed to see his stories turned into some of the most successful films of all time.